We are proud to annuounce that we finally have our new studio ready!

It is a beautiful space, few meters away from our house, that has been created expressly for the practice of kinbaku. A wonderful 2,70 x 2,70 mt rigging area with first quality tatami mats, Hashira, and multiple beams to recreate the atmosphere and the rigging  possibilties that we found in Japan.

The studio also has a big garden, a chill out area, a collection of Kinbaku books, a bathroom with shower and a small kitchen area. The perfect space to tie, make videos and pictures, and study LuXuria style kinbaku.

Our famous and succesful Intensive Private Weekend formula costumers will now benefit of this amazing space, allowing them to learn different Hashira ties, as well as practicing tying in a three dimensional space. It will also grant more privacy, as the costumers will sleep at the studio (on comfortable mattrasses laid on the tatami) and have their breakfast their. Lunch and dinner will still be held at our place and we guess there is no need to mention Wildties' famous cooking abilities.

To celebrate our new studio we offer 5 early birds at a super special discount. At the time of writing 1 is allready gone so hurry up and enquire for all infomations at kinbaku.luxuria@gmail.com

But what is a Private Intensive Weekend? In case you do not know Private Intensive formula is a high end weekend of tuition tailored on your level. In the price is included : all the food, drinks, 10h of teaching, a comfortable room to sleep, shuttle from/to airport. Not included: your plane ticket. It is a full immersion in our world famous style of Kinbaku and has been chosen as the best way of learning by most of our students. Hours and hours of teaching, great food and a bargain price. What could you desire more? And now whith the new studio we raise the bar ofering an even better service.

Hurry up and book your Private Intensive Weekend LuXuria Style!

As it has been announced, despite I never liked them, this year Kinbaku LuXuria will issue certifications for people willing to become instructors of our style. This decision was taken because of certain unpleasant facts that have been going on recurrently and more and more frequently.

Just to give a few examples, there has been a guy who had a few basic classes with me, still a beginner, someone who I would not recommend as totally safe, that has been going around saying he was my student, and that I would have suggested to him to stop taking classes with me because he was “too good”. This guy used my name to get models confident enough to tie with him. More than once, people that had some classes with me in a sporadic way, started teaching. Some of their students applied for my classes and I realized they were taught things completely wrong, and sometimes in a dangerous way. Another example, very blatant, is a guy that came for an intensive at my place. I gave him a basic class on some ground works of this style. He was not particularly brilliant as a student. He went back in his country and started making tutorials (full of mistakes), promoting himself as an expert of the style. He was even introduced on stage at a festival as “The student of Wildties”, this in front of many people who actually studied hard with me. Even worse, he started organizing Naka Ryu workshops (on the studying with me and using the Naka Ryu name I'll write later).

This style is becoming very popular, everyone wants to learn it and to teach it. It starts to become dangerous and upsetting and I don't want my name associated to people who I don't think are safe, nor the name of my Sensei. Of course certifying educators will not prevent people from giving classes on what they learnt from me the day after their class. But, at least, their customers will have the possibility to know if Wildties personally thinks that that person is prepared enough to teach in his name.

Before entering in the detail of the Educator certification and how it will work, I want to clear up some points that should be common sense, but seem not to be fully understood by many (or they pretend they don't).

1- Having taken a few class is not the same as having studied throughly with someone. Just like if I assist to a lecture at M.I.T I cannot go around saying I studied at M.I.T, having one or two classes with me does not make you my student (Same applies to Naka Sensei as he clearly stated to me in Tokyo this summer). A person should study in a continuous way, throughout time, with an educator to be called his student, pupil or deshi. Otherwise he can say he is inspired or that he has done some classes, which is very different.

2- Naka Akira Sensei pointed out to me clearly that I have my own style, in the mood and in the technique. People that study with me are learning my interpretation of Naka Ryu, hence my style. People should refrain from using the Naka Ryu name if they never met, or met just a few times Naka Sensei to study with. He was extremely clear on the fact that while I am his deshi, and had the honor to be accepted in his Ichimon, the ones that study with me are part of my circle not his (just like I could not claim to be a student of Nureki sensei because I study with Naka Sensei, who studies with me is not automatically Naka san student). Only few people are authorized to teach in his name, and the students of these are learning the interpretation of that particular educator, which might differ a lot from that of another authorized educator.

3- Learning a TK and a few basics does not make you an expert of a style. A style has a philosophy behind it, it's constantly evolving, has many variations. Giving classes on a Naka Style tk after a couple of classes is silly. I remember a guy having 3 days of class with Naka Sensei that came back saying “Naka San ties the suspension line only on the upper wrap”. Well, believe me (or look at videos), I saw him tie on the upper wrap, on both wraps, and once directly from the cuff. The truth is that this style is very fluctuant and every situation has its own way of being dealt with according to the desired result, not to mention Sensei changes a lot according to periodical preference. Only who has a full view of the method can teach it without making claims that can easily be denied.

4- Even if you can tie a style properly (I would say decently actually) that does not make you an educator. Being able to manage a class, to solve any problem that might arise, to personalize ties according to the student/model needs, having a good pedagogy, this means educating. Learning a pattern and teaching it is not educating, there are too many variables you are still not aware of. Just like no one would get driving classes from someone fresh out of driving school, even if he got his licence with a full score. Common sense again.

For all the above I have decided to publish a list of my students (of course for the once that what to be in such) and start certifing educators that can teach my style. Certification will be divided in 3 levels, Educators for beginner classes, intermediate and advanced ones. While, among my students, I already know who can teach what, to avoid ego problems I will issue a test for each level. Students will be tested on rope skills (knowledge of patterns, flow, ability to improvise, speed etc) as well as pedagogic skills. Each exercise will have points assigned and a minimum will be required to pass the test. Test will be conducted at students request and if failed a time of at least 6 month will be necessary before a second attempt. I will request that at least 8 month pass before requesting to be tested for the following level and that the student has Educated in at least 10 classes of that level.

While I know this will not prevent some to still use my name or that of Sensei without permission, taking advantage of it, I hope this will at least give people the possibility of checking information in a better way. Please note that in my recent trip to Tokyo I have discussed the subject with Naka Sensei and had his full approval as well as his precious advice.

Of course this will be free, and only for those who intend to use my name and brand. All the other students can say freely they have got class or workshop with me, and spread their own interpretation of my work. But that will be very different than doing things in my name or pretending to be my deshi or by proxy that of Naka Sensei.

Riccardo Wildties, Naka Nawa Ichimon

Naka Ryu has become more and more popular in Europe in the few last years. As the demand for education grew higher, this generated many people willing to offer to teach it. Unluckily, most people are not authorized to do so.

It happens very often that when reading educator's profiles and curriculum I see stuff like, "I have studied with Naka Akira". But truth is that most of these people mean they had just a few hours of class or workshop with the Master. Some did not even have this, have never met him, or have had few hours of class with someone else that had a few hours of class himself with the Sensei. Yet they said they were teaching Naka Ryu. Some even write they are his disciples (rather than merely students).

This is ridiculous, dangerous, and not honest. To say you studied with someone or that you are someones student takes more than a 5h workshop. Authorized Naka Ryu educators are few and you should choose well. We think you should choose us, and this is why:

1) Wildties is not only an authorized Naka Ryu educator, but the first one. He is Naka Akira's official deshi.  The masters consideration for him is such that he was granted to perform twice as a rigger at Naka Nawa Kai, once in a duo session with the Sensei.

2) We were the first to dedicate completely and only to this style, therefore we might say without error that our own experience is the most complete one now available in the western market.

3) Most educators around have just started teaching and performing. They have little experience in pedagogy, in tying, and in this style. We have been on the market for years now, done over 400 hours of teaching and more than 35 performances in 2015 alone. Experience matters.

4) Our offers range from 1 to 1 tuition to workshops, private intensives, masterclasses, intermediate intensives, etc. We keep in touch with our students, and give them advice and support even after the classes. We are traveling frequently all over Europe.

5) Wildties's great experience in this style allowed him to make technical adjustments to make it safer and more suited for the western standards of safety, without loosing the traditional look and feeling of Naka Ryu. Most of what you might learn in Europe comes from him anyway, so why not learn from the original.

6) We are in constant contact with the Sensei and update our knowledge regularly.  We develop new ties and techniques, and new methods of teaching them.

Most of all, when one day Naka Sensei was asked why he chose Wildties as a Deshi, he answered simply one word… One word that is the more important in Kinbaku: kokoro, heart and spirit.

Your money and safety are important, so choose well your Naka Ryu educator.

We are immensely pleased to announce our first full Kinbaku movie, La Poupée Noire, realized in high quality video standards from the super talented Director Vincent Vet Studio, starring two incredible models like Charly The Doll and Redsabbath, and, of course, the unique rigging of Riccardo Wildties.

Shot in four days different setting, cold cellar, luxury room and japanese room,  with superb lights and suggestive soundtrack, it’s a full story with a great plot that will compose a three hours final movie, of which this is the first part.

The movie tells the story of a rich Lady, La Poupée Noire of the title, interpreted by a mysterious Charly The Doll, that, somehow bored and searching for a new thrill, gets intrigued by the services of a very peculiar organization and manages to have a submissive (Redsabbath) captured  and offered at her mercy for some time.

The Lady invites at her place the Kinbakushi (Riccardo Wildties) to help her bend Redsabbath more and more to the realization of her games and her fantasies.

Through several scenes of torture and rope sessions, from a chair tie, to a full bamboo transition in Kimono, to an Hashira Shibari, Redsabbath progressively starts loving the feelings lived through this experience, and eventually surrendering  to the constrictive ties and the torment, up to a surprise ending..

So, we wish you good vision of the Second part, and stay tuned, the story continues..

See teaser here: https://vimeo.com/120968392

Buy it here: http://clips4sale.com/60079

We are immensely pleased to announce our first full Kinbaku movie, La Poupée Noire, realized in high quality video standards from the super talented Director Vincent Vet Studio, starring two incredible models like Charly The Doll and Redsabbath, and, of course, the unique rigging of Riccardo Wildties.

Shot in four days different setting, cold cellar, luxury room and japanese room,  with superb lights and suggestive soundtrack, it’s a full story with a great plot that will compose a three hours final movie, of which this is the first part.

The movie tells the story of a rich Lady, La Poupée Noire of the title, interpreted by a mysterious Charly The Doll, that, somehow bored and searching for a new thrill, gets intrigued by the services of a very peculiar organization and manages to have a submissive (Redsabbath) captured  and offered at her mercy for some time.

The Lady invites at her place the Kinbakushi (Riccardo Wildties) to help her bend Redsabbath more and more to the realization of her games and her fantasies.

Through several scenes of torture and rope sessions, from a chair tie, to a full bamboo transition in Kimono, to an Hashira Shibari, Redsabbath progressively starts loving the feelings lived through this experience, and eventually surrendering  to the constrictive ties and the torment, up to a surprise ending..

So, we wish you good vision of the first part, and stay tuned, the story continues..

See teaser here: http://vimeo.com/119076137

Buy it here: http://clips4sale.com/60079

Why?

In the last two years we have been travelling a lot around Europe doing classes and workshops. Some of our students have loved our style and or pedagogy so much that they are always eager to have more. Unluckily travelling abroad for private class is very expensive and not always practical.

Also often during workshops the level of participants is very  varied, with a lot of beginners and therefore we cannot offer very advanced topics. This penalizes our most advanced students.

For this reason we had more and more requests, during the last period, for a Masterclass and we decided to accept the challenge.

This Masterclass offers intensive training, advanced topics and will be attended only by confirmed riggers. The best way to have a full immersion in our system.

When, where?

8 to 12 October 2014 in Prague.

We chose Prague because it’s a perfect city for a Masterclass. First of all the currency change is very favorable to people from the Euro zone. This means that food and other expenses are very convenient. In other cities of Europe 5 days of hotel, food and transport can cost thousands of Euros.   In Prague this will be very cheap.

Also Prague is a touristic city, there are low cost flights from most European cities at convenient rates and plenty of small cheap hotels.

The metro system is clean, fast and cheap, and our venue is a just 400mt from a metro station, so no problem moving from and to the city center or your hotel.

And do not forget Prague is beautiful, so well worth a visit!

How much?

The price for the 5 days is 500 Euros. Considering that our workshops of 4 hours range between 120 and 140 euros per couple, and that our private tuition costs 60 Euro per hour the math is easy…  7 hours a day of intensive advanced teaching for 100 Euros. Bargain!

And as mention above we have chosen a city that will make your travel and stay affordable.

Details for payment will be given privately to inscribed participants.

What can you expect to learn?

As our followers know Wildties has developed his own personal style. His rope is directly inspired from Naka Ryu, with a little bit more dynamism and transitions that come from his previous styles. Also communication and body handling are done in a very personal way that made his shows so appreciated throughout Europe. Also he is known for the excellent aesthetics, so powerful and traditional in look, that have granted him compliments from more than one Japanese master.

All this is what we call the LuXuria system, and this Masterclass is an intensive journey in our way of tying. We will cover all the technical part of some of the most traditional suspensions as well of some of our own personal ones. Floorwork in Semenawa style will not be neglected as well as some of the most extreme techniques for rope torture.

Aesthetics is so important for us that a part of everyday work will be focus on this subject. Through the use of multimedia as videos and pictures, we will analyze all the main concepts of Japanese rope aesthetics.

One of our main prides is that we teach people how to play and have fun and kinky sex through rope. This is why we will talk and teach extensively our communication and body handling techniques.

Every subject will be covered in a much deeper way that in usual workshops. The workshop is entirely in English but you can expect some translation in Czech, French or Italian when needed.

Requirements for riggers/models?

In order to participate you must be a confirmed rigger. If we do not know you personally we require you to send us a link to an uncut video featuring a full suspension. This is a very advanced class and it does not fit everybody. Attending without the necessary basis would slow down other participants as well as being dangerous for your model.

Models too need to be experienced. They must be fit and with a good experience in suspension. We will do some very tough Semenawa rope work and especially we will do lots of hours a day of training. Please consider well you experience before asking to participate.

Only 10 places are available, and, at the moment of issuing this document, 5 are already gone. So if you are interested hurry up and book your Kinbaku LuXuria Masterclass.

How is the venue?

The venue is incredibly well equipped. Unlike many workshops were single suspension points are provided, this venue will have plenty of bamboo beams, which fits better our style. There are also vertical post that we will use to tie some very traditional Japanese ties that very rarely we can show elsewhere due to the lack of this architectural feature.

The space is big, everybody will work comfortably.

We will have a projector for all the multimedia contents.

The venue is 400 mt from a metro station.

All info on how to get to the venue will be given privately to participant.

What to bring?

To take full benefit from our masterclass you should bring at least 10 pieces of rope. Jute is preferred to hemp. Diameter between 5 and 6mm. Length can vary between 7 and 8 meters though our recommendation (for average size models) is around 7,30 mt. Loose or medium lay rope fits better our style, please avoid super tight layed double ply rope.  Bring rope that you already broke in, we will tie a lot and it must be easy on your hands and on the model.

Safety sheers or rescue hook. Mandatory.

While you can bring gear like rings and karabiners it will not be used. We will tie in our own style so either on bamboo, beams, posts or on rope rigging points.

A mat if you want to be comfortable on floorwork. We will not provide the because we never use them.

Comfortable clothes for tops and bottoms.

 Download file as PDF KLInfopack (1)

For all info and booking contact: freebri@gmail.com

I somehow consider the London Festival 2012 the begining of this year for LuXuria. It was our last "circus" show and the begining of a journey that brought us to what we are now. Lots of things have changed since then, both in our bondage as in our personal lives. We had many highs and a few lows. We met some incredible people in our numerous travels around Europe. We made new great friends and lost some of the old ones. Life is like that, always changing and evolving.

We have had an incredible year of success. We visited so many different countries (some more than once) doing shows and workshops, we launched our images and clips for sale sites (wich are having an unexpected success), we did tons of photoshoots, we worked together with some of the most awesome riggers.

Unluckily we could not perform at the last London Festival. We were not even allowed to attend it, and this is one of the lows of this year. Celebrating our birthday with all our friends from all over Europe would have been great. But the incredible number of  support messages we received daily during the festival (including the ones of Naka San) are anyway the best birthday gift we could have been given.

Our last show, in Cantada Bar Paris, has been none the less a great way to celebrate our anniversary. A show in wich there were only few minutes of suspension, no visual stuff, just plain emotion and good semenawa. So many people in the audience had tears in their eyes, despite it was definetly an SM show.

More and more riggers are making love to their ropes, we are following a different path, we are making love to eachother. I guess this is the secret of all the great feedbacks we had this year, including the incredible words Kinoko had for us in St. Petersburg. This is why so many people shed tears during our last shows. We are even more determined in following this path, regardless of the fact that specializing oneself into a particular style may make us loose a few costumers.

In all this, I (Wildties), have very little merits. Redsabbath and Morgana have been the real engine of our accomplishments. Their continuous support in the hard times, their dedication, their heart, their way of living bondage as an act of love rather than a way to seek visibility or popularity. They pushed me to change my way of doing ropes regadless the fact we might have lost costumers. They incouraged me every day, they made me the rigger I am. More than once they brough me back on track, the supported me in the bad times, they gave me absolute trust.

Friends have been crucial too. The real ones, the ones that are always there when you need them I will not mention them directly, they know who they are, they are real friends and as such they do not even need or want to be thanked. They are there thats all.  Actually one I'll mention… The one with the ugly t-shirts… thanks for being there! …mate we must visit Decathlon together, really 🙂 Oh.. and the polite asian man who sent me as a gift Japanese rope because he thought I deserved it.  And the Brit couple who cuddled us when we were down. Ups, yeah, also the french guy who was there in one of my hardest moments. Shit I said I would not have written all this! Ok stop! lol

Whats up for the future? We always claimed that LuXuria never stops. And that is it, we have already started to book events for the next year, most of the comunities we visit want us back and this is a real treat for us, trips overseas are also planned. We will focus even more in teaching our style and our vision of ropes. Our Skin and Ropes series of workshops is about to start and we are working hard to increase our production of images and videos. Some very good collaborations with other riggers/organizations are about to start, because we do believe bondage is about sharing. Lots of other interesting stuff will be announced shortly…

This solar year will end in beauty with an event in Vienna, at the Vienna Shibari Dojo, and a great two day of ropes in Paris with Wykd Dave, organized by Ecole des Cordes.

Thanks to all who shared the magic of this year with us, riggers, models, students, audience, friends and foes. We love you all!

Redsabbath… well you know it, do you?

Wildties

After the great success of our cooperation with Wykd Dave and Clover we decided to repeat the experience with another great bondage couple Jack Whipper and Zahara (http://www.jackandzahara.co.uk/). Not only two incredible bondage artists but two amazing friends. And this experience also did turn out to be a great success! A super intensive day of rope, feelings, shows and fun! People from all over Italy, from France, Czech Rep., Holland… WOW!

Day started early, people started gathering at the venue around 9,30 and by 10 Jack was already holding his first class. "the moment of Intention" is a brilliant class that I had a chance to follow in Moscow. But Jack and Zahara have been improving it and the one they held in Rome was simply amazing. I might say one of the best bondage class I ever attended. Also it was the perfect introduction for the next class, my Semenawa class. The two just melted one in the other in such a perfect way. Both classes led the models to have so many strong feelings that tears and runny noses where everywhere.

The two classes took all the morning and at lunch break we had a beautiful surprise. Submotatio, official photographer and owner of the venue, prepared pasta, sandwiches and drinks for all the participants.  He is an awesome guy and part of the success of our roman events is indeed because of him.

Afternoon was dedicated to "the Art of Untying" by Jack and my "Bondage for Sex". Both were very good classes and feedback was great. I really love to work with Jack. We integrate perfectly and we melt our teachings in a very interesting way. We focused almost all our classes on feelings and it came out one of the greatest intensive shibari day that I honestly ever saw.

Around 6pm we had a long break and Jack and I had the pleasure of tying all the models that wanted to experiment our ropes, and damn it they were quite a few lol! So by the time shows had to start we had on our backs a full day of teaching and a few sessions each (not to mention the day before we walked for 7 hours around Rome under the sun). But well its a hard job but someone must do it and damn we did it well.

Many other people joined for the shows including a few vanilla girls.

I was first on stage. I kept very traditional (as in all my last shows) and tried to tie in an as pure as possible Naka Ryu. I performed my favorite suspension and i must say Redsabbath shocked even me with her flexibility, that day beyond usual. My good old bastinado and some humiliation to make her cry beautifully. I kept it simple and focused on her expressions and on the beauty of her suffering. I definitely have found what really suits me.

Jack and Zahara did an awesome show as usual. So different from everybody else. Sexy, harsh, beautiful, funny, the rope they share is always full of so many different shades. Zahara was simply pure eye candy when tied up, her beauty far above most other models. And Jack's skill, flow and inventive make him for sure a world class rigger. It was a great surprise for me to seed that during the day I had converted Jack to Takatekote to the point he used it in show. Guess he will not go back to Gote easily… This couple is really huge and i would make no justice trying to describe their show. Luckily pics and videos are to come soon. If you never saw the do it, you will love them.

Day ended very late, in a great Italian restaurant, enjoying food and friendship. A hard long day but plenty of emotions, feelings, love and rope.

Teaching at Lisbon Fetish Weekend has been one of the best experiences we have ever done! We had a great success and met some of the best and most friendly people!

We arrived in Lisbon on Friday night quite late and MasterM__ picked up us at the airport. He drove us to the venue were the festival was already started and we had a chance to meet the organizers MikeG, isabel and MistressPatrizia that also run the website http://www.consensual.org.pt, an educational project for the  Portuguese BDSM community.

The venue was a huge facility, very high ceilings, and fantastic wooden floor. A beautiful exposition of illustrations from some of the most famous BDSM artists was in display and 5  award winning short bdsm themed movies were projected. We had a little time to socialize and then we were drove the our hotel, a beautiful luxury one, but before we had a nice car tour of the town's city center.

Unluckily by that time Wildties started having the symptoms of a a very bad throat ache and uprising fever.

The day started with a great big breakfast and the MasterM__ came to pick us up. We went to the venue for a private tuition with MikeG and MasterM__. Subject of class were hishi gote shibari, face up suspension and futomomo suspension. Despite we have abandoned this style for our shows and are dedicating ourselves to Naka Ryu presently, it is still fun to teach these things. The fast progress made by the students and the two spacey models enjoying the inverted suspension gave us a great satisfaction.

After class we had time to rest and have some great Portuguese food while the organizers starting setting everything for our show. I was quite surprised to see them pack the room were the performance was to be held with chairs. It seemed unlikely that a kinbaku show would attract more than a handful of people in such a community, so new to BDSM and were rope is practiced just by very few people. But believe it or not the job these guys have done has been so amazing that 100 people filled every possible space in the room! 100 people willing to pay for our show, most of them totally new to rope. Wow, MikeG and the others did such an incredible job!

Wildties fever was rising, but the show had to go on. Good new was that finally we were given a full hour for our show. We are not theater actors, nor we are interested any more in circus bondage. We need our session to be built slowly. Finally we had all the time we needed! Bad news was that we had planned to use a takatekote instead of a gote (arms crossed high in back vs arms parallel to the ground) in show for the first time. But Redsabbath had never tried that arm position for such a long time. Wildties was quite worried but the little redhead is as tough as a nail and wanted to go for it. Also it was going to be our first show entirely in Naka Ryu, 7mt ropes, no use of the bite, etc., so this was adding an extra challenge.

We entered on stage hand in hands, Redsabbath knelt on the floor and was tied in a strict tk. Wildties tied the rigging line and left there there for a bit. That arm position is very powerful on her head, makes her space, she loves to feel it and needs also time for her body to adapt. When raised to standing position and main suspension line was adjusted accordingly, Wildties tied the 3rd rope to the tk. Redsabbath was looking so fucking beautiful in that traditional tk.

After that point memory fades… Fever, emotions, the palpable tension in the audience. We just remember that she went through three of our favorite positions, the split, the one with the leg up high and an inversion with a body lacing. She had pleasure and she had pain. Gags, bastinado, whipping, crotch rope. We were honestly so lost in our session that we could not even describe it, so many details are too confused. When we finished Wildties was worried… He had lost sense of time and thought he had performed only 20 minutes. It was a shock when organizers said that he had gone through all his appointed hour.

Feedback we received after the show (and are still receiving) is stunning. What touches us the most is the number of people that said that they had seen many bondage show before us and always found them boring, aerial performance that was in no way sexy. While our show was loved and made hot even those BDSMers that were not into rope. Also there was a guy that saw a show a year ago at FIP party, when Wildties had just moved to Paris. Though not a rope guy he saw the difference. His description of what changed in our style since then nailed exactly what we are trying to convey to the public. Transitions and fly around were fun, but that's not why we started rope. And now we are showing exactly what we love of rope: beautiful suffering, lovely squirming, pain, shame, intimacy. Most people did not believe we did not rehearse the show (we did not even know we had an hour of time until few minutes before going on stage), and this is a good proof of how everything was fluid and natural.

After show some wine was served and believe it or not the organizers transformed the room in a great play space in just half an hour! The spent month building equipment, so good such I've seen in very few parties in Europe. All kind of benches, bondage devices, cages etc. A great party started and believe me it was one of the best I've seen. Unluckily Wildties fever by that time was really high and we could not stay much. Before going though Redsabbath wanted to try a sensory deprivation box. Just cause the beating she had in show was not enough she got some more in the box. Wildties would have loved to tie the beautiful Portuguese girls but he could barely stand so we left for the hotel to have some rest.

The following morning we had a little tour downtown and ate some great fish. Lisbon is beautiful and we hope to have a chance to visit it properly.

Despite the party ended at 5am the night before we had a good number of people attending the workshop. We spent 5 hours doing good ropes and having fun. We talked a lot about safety, connection, bondage for sex etc. We had a lot of positive feedback and many people wrote to us willing to visit Italy for private class in the future.

Evening ended with a great typical Portuguese dinner in a wonderful restaurant with the organizers. Useless to say it was delicious.

These people are building a new community, facing all the difficulties you can imagine, and they are doing an awesome job. All their didactic and artistic initiatives are contributing to raise the level of the scene in Portugal in a huge way. I have no doubts that Lisbon Fetish Weekend will soon become one of the main fetish events in Europe.

Enjoy the gallery of our show in the beautiful images by Fabrice Ziegler.

Kinbaku LuXuria is under attack! 5 blocked accounts on Facebook, pictures, flyers and links reported daily even in secret groups dedicated to bondage… Whats going on?

It is well known that the world of Bondage is highly competitive and full of envious people. Denunciation on facebook seems to be one of the favorite methods that some suckers use to bother their competitors. We always had to face this problem but now things are getting worse and worse. It is a daily attack to anything we publish, each picture, each link, each flyer.

On one side it's a proof of how well we are doing. It is no mystery that Kinbaku LuXuria is one of the most active bondage realities in Europe. We have monthly events in almost every European country, invitations to all the best rope festivals, our video and picture production is great and constant. Our popularity is growing so fast that we are amazed our self.

Getting reported and blocked is not a real problem. Our team has some six accounts and we will continue promoting our work. It's just annoying and actually shows the level of these little weasels. Little envious people that instead of trying to improve their work vent their frustration in front of a screen.

Some might suggest that it's simply the Facebook police keeping an eye on us. No not at all. We have been reported some 15 times during the last year in private groups dedicated just to Japanese Bondage. We created new accounts, with no report history, and still we get reported. Morgana shared for over 5 years pictures of her naked modelling and never got reported. guess what? as soon as she started pubblishing Kinbaku LuXuria bondage pictures she started being reported on a weekly basis. Also the timing is symptomatic. Each and every time we achieve a big success or we schedule a new event, when a Japanese master shares one of our pictures or when a collaboration with some other rigger gives some incredible result, when a pic gets 4500 loves on Fetlife or when a magazine publishes our pictures, that is the moment when images get reported.

Wanking stupid weasels. You are not even brave enough to play it clean. You refuge in anonymity cause you don't have balls. Well you really think you will stop us? Damage us in any way? Did your denunciations ever stop us from publishing our work… NO, and it will never. We are currently increasing the number of Facebook accounts, since 5 out of seven are blocked. Seven ain't enough? We will have fourteen.

LuXuria will go on, with the help of all our supporters, making better work every day. As always LuXuria NEVER STOPS!

"This fire is burnin'
And it's out of control
It's not a problem you can stop
It's rock n' roll"